morning. They’ve shoved it against the wall again so it seats only three. No matter how often I drag it to the center of the room, they always push it back. The wall is a dull, flat beige, adorned only by an industrial clock that runs slow and my glossy magazine print of a Caribbean beach. An old aluminum percolator on the counter gurgles and spits. Ribbons of hardened, amber-like coffee streak down its sides. No one cleans it, though they do flush its insides with ammonia. You can taste the bitter residue. We never see the cleaning people. They are invisibles who work at night. One of the flourescent tubes on the ceiling hums and flickers. The room is a kind of low-grade memory of itself from another era.
I clutch the hot mug with both palms and inhale the steam rising from its surface. A small but precious treat. James Bradley shuffles in, sighing as usual, but he has at least changed his flannel shirt. James wears the same shirt every day or maybe he owns dozens of identical shirts. Muted gray and red checks. Always pressed with light starch. James, pushing forty, is lanky and sullen, and I am trying to convince him that, despite the cold, it’s not so bad here. He wants to descend into the valley and